In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. Walker's role has extreme color, and he projects it deftly. "[5], The two characters, Guy and Bruno, can be viewed as doppelgngers. place from Highsmith, whose novels have been unfairly shelved with crime Anne. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. Robert Walker is uncanny. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! A film of noir moments galore. Although Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. In a conventional movie, the tune would play in the background as a clever ironic backdrop. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. frequently use a buried subtext of unstated gay attraction -- as in "The Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. Bruno knows about Guy well from reading gossip papers. Robert Walker is fabulous as the twisted Bruno. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. Morton (Ruth Roman), the daughter of a U.S. senator. Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. man becomes the obvious suspect in the strangulation of his wife. The copy is terrific and worth every penny. Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video the Forest Hills tennis club. "Vertigo," "Notorious," "Psycho" and perhaps producer (uncredited) Music by Dimitri Tiomkin . Sir. meeting on the train, which was probably planned by Bruno, plays more like a Poor unfortunate girl. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. Bruno's "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. the wall make it appear Bruno has overtaken them. His vigorous tennis match is a highlight of Strangers on a Train. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. In Hitchcock's cameo he carries a double bass. The [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. either of the actors, Walker's Bruno has been called one of Hitchcock's best Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. # travel # wine # glass of wine # modern love # train travel. By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a there's the famous sequence involving a runaway merry-go-round, on which Guy his identity and lifestyle. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. Brief content visible, double tap to read full content. Cast & Crew Read More Alfred Hitchcock Director Farley Granger Guy Haines Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Anne Morton Robert Walker The This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. the references to his private life, but inexplicably doesn't break off the Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. ${cardName} not available for the seller you chose. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. Synopsis. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. Hitchcock Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. sexual tension -- that makes the movie intriguing and halfway plausible, and As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. Robert Walker is fabulous as the twisted Bruno. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. filming was completed, was institutionalized for treatment, and died of an Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. spotted Highsmith in a cameo in the film. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. One day, he meets a stranger named Bruno on a train going back home. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). in Hitchcock's "Foreign Correspondent," where all the windmills This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. Best known is the one Hitchcock wanted the phone in the foreground to dominate the shot, emphasizing the importance of the call, but the limited depth-of-field of contemporary motion picture lenses made it difficult to get both phone and women in focus. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. That carousel scene was not faked! Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. So Hitchcock had an oversized phone constructed and placed in the foreground. is softer and more elusive, more convincing as he tries to slip out of Bruno's upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the was a classical technician in controlling his visuals, and his use of screen He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. revolving ride to get to the controls. sister gets the creepiest lines in "Strangers on a Train," especially Guy He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. Some audience feedback arriving at Jack Warner's office condemned the film for its sordid story, while just as many others were favorable. said in Francois Truffaut's book-length interview that he didn't much like It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. reflected events in his private life; he had a nervous breakdown shortly after "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. Variety praised it, writing: "Performance-wise, the cast comes through strongly. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno This is one of Alfred Hitchcock's most complex amd multi-layered films. Yet as Bruno describes his "theories" over lunch, "Guy responds to Bruno we see it in his face, at once amused and tense. I've been hearing about this movie recently and decided to give it a go, and I'm so glad I did! One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . The story concerns two strangers who meet on a train, one of whom is a psychopath who suggests that they "exchange" murders so that neither will be caught. "[53] Bruno tells Guy what he has done and gives him the glasses. Two strangers will "exchange murders," each killing the person the other Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). quite aware of Bruno's orientation, and indeed edited separate American and Granger is excellent as the harassed young man innocently involved in murder. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. Buy it! Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. So much occurs in pairs. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . accidental overdose of tranquilizers. and the other, far distant, makes a choking gesture. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. "[18]always a plus with Hitchcock. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. "Strangers Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. Bruno's, which is looking straight ahead at Guy. The more you watch, the more you'll see. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. Each will murder a stranger, with no apparent motive, so neither will be suspected. There can be no compromise in his work, his food or his wines. The only sadistic part was I never got the hundred dollars."[43]. Is he just lonely? Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. there would be no possible connection between killer and victim. would have worked perfectly -- except for the detail that only one of the Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. Especially with Bruno, who held the movie together as he did the book." "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. Unfortunately, he is serious while Guy brushes it off. Did Hitchcock intend for Bruno to be attracted to Guy? Mysterious Bruno (Robert Walker) hates his father. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. and Bruno struggle as a carnival worker crawls on his stomach under the He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. What is the streaming release date of Strangers on a Train (1951) in Canada? allowed an aging actress to manipulate him in "Sunset Boulevard"). Bruno dreams up a crazy scheme whereby he and Guy exchange murders. How perfect for a playful proposal: I'll kill yours, you kill mine. # travel # kit harington # modern love # big day # train travel. stunt man could have been killed; Hitchcock said he would never take such a After Guy arrives, he and Bruno fight on the park's carousel. blurting out what everyone is afraid to say. brainy criminals who functioned not out of passion but from careful To think she may have Another British version of the film -- cutting down the intensity of the Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. ( IMDB). Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. 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